She first gained prominence in 2005 with her debut album “Music of the Sun,” which quickly established her as a force in the music industry. Known for her unique style and chart-topping hits, she has influenced music and fashion worldwide. She told Winfrey that Brown may have been the love of her life and she has developed “a very close friendship” with him. The pair worked together on the song “Birthday Cake,” released that year.
She scored another No. 1 hit with the single “Rude Boy,” while the tracks “Hard” and “Russian Roulette” landed squarely in the top 10. Good Girl Gone Bad remains her best-selling album with over 10 million copies sold worldwide. Her lead single “Umbrella,” featuring Jay-Z, lead the Billboard Hot 100 for a whopping seven weeks and later won the Grammy Award for Best Rap/Sung Collaboration in 2008. Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.
And yet, she has still come out the other side, sparkling, self-assured and ready to revel in a career built on resilience and reinvention — something only a true showgirl could achieve. When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has. What is most apparent on the album, though, is just how much Swift embraces every aspect of who she is.
Oldfield was rewarded for helping to scar a generation of moviegoers for life when a condensed version of his eerie masterpiece picked up the Best Instrumental Composition GRAMMY in 1975. And the soul legend further leaned into its supernatural theme in 2013 when he appeared as a witch doctor in a Bud Light Super Bowl commercial soundtracked by the ominous chart-topper. Along with giving GRAMMY gold to the likes of Smashing Pumpkins, Slayer and Vampire Weekend, the Recording Academy has embraced the odd musical spooktacular in several forms. “I have to appreciate ‘Bam Bam.’ I have no problem talking about it because it’s mine. I did the song, so I’m not tired of talking about it. I’m not tired of playing it either,” Sister Nancy says. “Mad Professor is someone I look up to. He’s a genius, and I love working with him,” Sister Nancy adds. She continues to release new music of her own, though she believes in letting projects simmer before embarking on something new.
In the United States, it is currently more popular than Come and See but less popular than Shutter. The movie has moved up the charts by 179 places since yesterday. The pair meet and fall in love on the Titanic, the greatest ship to sail the oceans. Rose is a high-society young woman who is being forced into a loveless marriage with a wealthy man.
In December, Nancy will headline a celebration of her career featuring female artists including Renée Neufville. In August, she released a new Mad Professor-produced album, Armageddon — her first LP in over 20 years. Rihanna comes out of left field with the Prince-inspired “Kiss It Better,” the album’s second single, which sees the superstar falling back on addictive sex that “feels like crack” to justify a destructive relationship. The black-and-white, red paint-splattered album cover signals a rebirth, featuring a real-life image of Rihanna as a child. Released four years after Unapologetic — her longest gap between albums at the time — ANTI illustrated Rihanna’s greater desire for quality over quantity. With 13 No. 1s and twice as many top 10 hits under her belt, Rihanna set out to create timeless music instead of chasing a radio-friendly formula with her 2016 magnum opus, ANTI.
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those betista casino in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
No matter what genre Rihanna touches or what artist she links up with, she brings her full self to each session whilst completely immersing herself into the music — taking on different personas to make the collab well worth it. Amid smash collabs, Rihanna and Coldplay’s intricate “Princess of China” number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist. The one-off single is so quintessentially Rihanna that it notably kicked off her Super Bowl halftime show.
Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to “what if” fantasies, falling in love, and falling apart. Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift’s past records — from pop to country to indie rock — and features all of them on one album. Some songs, like “peace,” were recorded in just one take, capturing the essence and fragility in the song’s story, whereas the lyrics for the sun-drenched “august” were penned on the spot as Swift was in her makeshift home studio in Los Angeles. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments.
From becoming the first woman and only artist to win a GRAMMY for Album Of The Year four times, to dealing with heightened media scrutiny, to breaking records with her Eras Tour, no one understands the highs and lows of being a showgirl like Swift. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke, Gracie Abrams, and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. Other songs, including “Death By A Thousand Cuts” and “Cornelia Street,” are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. When Swift released the lead single “Look What You Made Me Do,” a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice.
Rihanna has received multiple Grammy Award nominations for her albums, winning Best Urban Contemporary Album for Unapologetic in 2014. Two years later, she nearly doubled this feat, producing a whopping five No. 1 hits in 2010, including “Love The Way You Lie” with Eminem, “Rude Boy,” “S&M,” the Grammy-winning “Only Girl (In The World),” and “What’s My Name” featuring Drake. Known for her sexually provocative imagery and wild style, Rihanna made headlines for the sheer dress she wore to the Council of Fashion Designers of America (CFDA) awards ceremony in June 2014. On her Grammy-winning 2012 album Unapologetic, Rihanna turned out such hits as the No. 1 Sia-written tune “Diamonds” and “Stay,” featuring Mikky Ekko.
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
Swift’s now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with “I Wish You Would” and “Out Of The Woods”; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights. The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart. Following the more country-influenced Speak Now, some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out.
Nancy was largely unaware of its popularity as a hip-hop sample, and didn’t receive royalties for the tune (itself owned by producer Winston Riley, who died in 2012). She never stopped performing, and while Sister Nancy traveled as far as Israel to sing, she was often relegated to multi-artist bills — and not in the largest text. It’s been used in film and television, including prominently in 1998’s Nas- and DMX-featuring Belly. Multiple sources consider it the most sampled reggae song ever (WhoSampled.com counts 155 samples), with Beyoncé, Madlib, Run D.M.C., Lauryn Hill, Chris Brown, Alicia Keys, Ariana Grande, and Buju Banton and many others pulling from Nancy’s crisses lyrics. Sister Nancy wouldn’t perform the song on a Jamaican stage for eight years, until she featured at 1990’s Sting competition. “I went with Yellowman to Harry J’s Studio. Yellowman did a ‘Bam Bam,’, and I had to finish my One, Two album, and I just said I am going to do a tune like Yellowman did. And I did ‘Bam Bam,’ my way,” Nancy recalls.
It topped the Billboard Hot 100 for seven consecutive weeks and peaked at number two in the UK; it was also the latter country’s best-selling song of 2010. In June 2010, she collaborated with rapper Eminem on the single “Love the Way You Lie”. In support of the album, Rihanna embarked on the Last Girl on Earth tour from 2010 to 2011. The single “Rude Boy” peaked atop the Hot 100 for six weeks, while “Russian Roulette” and “Hard” both peaked within the top ten.
In turn, Swift hasn’t just become one of the biggest artists of all time — she’s changed pop music altogether. Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music. Furthermore, the deluxe edition consists of 16 tracks, half of which topped the Dance Club Songs chart — smashing the record (previously held by Katy Perry’s Teenage Dream) for the most No. 1s from a single album. “Same Ol’ Mistakes” is a cover of psychedelic rock band Tame Impala’s “New Person, Same Old Mistakes” — her first time remaking another artist’s song for her own album since “You Don’t Love Me (No, No, No)” on Music of the Sun. The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake). Despite being Good Girl Gone Bad’s lowest-charting single, Timberlake heralded the song as “the bridge for her to be accepted as an adult in the music industry.”
As Swift revealed on May 30, she bought back the master recordings of her first six albums, marking the first time she’s been in control of her entire discography. Throughout a total of 31 tracks, the prolific songwriter shelved the glittery pop radio-friendly tunes in favor of more subdued, synthy and heart-wrenching songs. Midnights helped further solidify Swift’s larger-than-life status at the finale of the 2024 GRAMMYs, too, as she became the only artist in history to win Album Of The Year four times. Along with breaking several streaming records — including becoming the first album to exceed 700 million global streams in a week — it was Swift’s 11th No. 1 debut on the Billboard 200, and was the highest-selling album of 2022 (and, remarkably, the second best-selling of 2023).
Her debut album, “Music of the Sun,” further solidified her presence, selling over two million copies worldwide and setting the stage for her meteoric rise in the years to come. Jay-Z was immediately captivated, signing her on the spot and launching her career in the music industry. Her journey from a small island to the bustling music scene of America marked the beginning of her transformational career. Relocating from her home in Barbados to Connecticut, she stayed with music producer Evan Rogers and his wife.